Promote your event
Everything you need to run the show
One sheet for promoters and production: bio and assets, technical and hospitality riders, input list, stage plot and setlist. Pick a configuration — the input list and stage plot update to match.
01 · Promote your event
At a glance
A storyteller with a guitar — soulful blues, African choir, rock honesty, jazz color.
- Origin
- Nigeria
- Based in
- Prague, Czechia
- Genre
- Soul · Blues · Rock
- Performing since
- 2017
- Available for
- Concerts · Weddings · Corporate
- Set length
- 45 / 60 / 75 min
02 · Confirm a pencil
EPK assets
Bio — long (200 words)
Born in Nigeria and based in Prague, LuckySings — Lucky to the people who pack his shows — is a singer-songwriter who turns a guitar and a voice you instantly trust into nights people remember.
He has been performing since 2017, building a reputation across the Czech scene for a sound that stitches together soulful blues, the open-tuned warmth of African choir, the bite of rock and the colour of jazz — performed solo with an acoustic guitar and looper, or with a full band.
His songs have taken him from intimate club nights at Jazz Dock in Prague to festival stages such as Festival Uprostřed in Brno. Recent releases include the album "Roadside Vagabond" and the single "Last Summer", whose video was directed by David Tomeska.
Whether stripped back to one guitar or backed by a rhythm section, the songs stay the same at heart: honest, warm, and built to be heard live. He performs concerts and festivals as well as weddings and corporate events.
Bio — short (50 words)
LuckySings is a Nigerian-born, Prague-based singer-songwriter blending soulful blues, African choir traditions, rock honesty and a touch of jazz. Performing solo with acoustic guitar and looper or fronting a full band, he plays concerts, festivals, weddings and corporate events.
Photos
Logos
Audio & video
03 · Technical rider
Tech rider
Guidance, not a deal-breaker — please contact the production lead early for venue-specific adaptations.
PA & FOH
- Professional FOH PA appropriate to venue capacity, evenly covering the room.
- Digital console preferred: Yamaha CL/QL, Midas M32, Allen & Heath SQ/dLive, or DiGiCo — 16-channel mix minimum.
- One experienced FOH engineer if we are not touring our own.
- Reverb & delay buses available (plate, hall, slap).
Backline (provided by promoter unless noted)
- Guitar amp: Fender Hot Rod Deluxe, Vox AC15, or Roland JC-120.
- Acoustic DI: Radial PZ-DI or Countryman Type 85 (we bring our own if needed).
- Drum kit (4-piece and up): 22" kick, rack + floor tom, snare stand, hi-hat, 3 cymbal stands, throne.
- Sturdy guitar stands (2) and one bar stool, no arms.
We bring
- Guitars, pedalboard and a looper.
- Personal vocal mic and DIs.
- In-ear packs (Shure PSM900 / Sennheiser G4).
- Backing-track playback rig with click.
Power & stage
- Clean power, separate ring from the lighting rig.
- Power drops at stage-left, stage-right and monitor-world positions.
- Stage access for soundcheck no later than 2.5 h before doors.
Monitors
- Up to 4 mixes on 5 wedges, or IEM. Dedicated monitor engineer preferred.
- Talkback to FOH and monitor world.
- We can supply IEM packs for the whole band.
04 · Input list
Channel list
4-Piece — Lucky (vox/gtr) · bass · drums · keys · 11 channels.
| CH | Source | Mic / DI | Stand | 48V | Notes |
|---|---|---|---|---|---|
| 01 | Vocal — Lucky | Shure Beta 58A | Tall boom | Yes | Comp + plate reverb |
| 02 | Acoustic guitar | Radial PZ-DI | — | Yes | Own pre, flat EQ from FOH |
| 03 | Bass | Radial J48 DI | — | Yes | Post-amp DI |
| 04 | Kick | Shure Beta 52A | Short | — | — |
| 05 | Snare | Shure SM57 | Short | — | Gate optional |
| 06 | Hi-hat | AKG C451 | Short | Yes | — |
| 07 | Overhead L | AKG C414 | Tall boom | Yes | Spaced pair |
| 08 | Overhead R | AKG C414 | Tall boom | Yes | Spaced pair |
| 09 | Keys L | Radial DI | — | Yes | Stereo |
| 10 | Keys R | Radial DI | — | Yes | Stereo |
| 11 | Vocal — harmony | Shure SM58 | Tall boom | Yes | Light reverb |
Signals also available via a Dante / AVB stage box on request. 48V = phantom power.
05 · Stage plot
Stage layout
4-Piece configuration · minimum stage 7 × 4 m.
- Vocal mic / performer
- DI / instrument
- Amp / cab
- Drum kit / percussion
- Keys
- Monitor wedge
06 · Hospitality rider
Backstage & catering
Scaled for a party of 4 (4-Piece). Let us know if anything is hard to source locally.
Dressing room
- Private, lockable room near the stage.
- Mirror, good lighting, hanging rack, chairs for party size.
- Iron + board or a steamer.
- Wi-Fi credentials posted.
Food
- Warm meal 90 min before stage — 2+ vegetarian options required.
- Fresh fruit (bananas, oranges, berries).
- Bread, cheese, cold cuts (no shellfish).
- Nuts, dark chocolate, snack bars.
- Coffee + milk available throughout.
Drinks (room temperature)
- Still water — 1.5 L per person.
- Sparkling water — 2+ bottles.
- Hot water + honey + fresh lemon + ginger (vocal care — essential).
- Black, green and herbal tea selection.
- Local beer — 6+ bottles (no IPA, please).
- 1+ bottle mid-range red wine for after the show.
Parking & accommodation
- 1+ parking pass per vehicle (scales with band size).
- Hotel within 15 min of venue, single rooms, on multi-day routing.
- Late check-out (12:00) on show day.
Dietary
- Lucky — no shellfish; no dairy-heavy meals pre-show.
- Drummer — no restrictions, eats anything.
- Keys — gluten-free.
07 · Setlist
Standard 60-minute set
Adjusts to 45 / 60 / 75 min on request. BPM and keys provided for FOH and lighting prep.
| # | Song | Key | BPM | Length | Notes |
|---|---|---|---|---|---|
| 01 | Turntable | Am | 82 | 3:40 | Slow build intro; drummer enters at chorus. |
| 02 | Hyperhula | Bm | 100 | 3:55 | Full-band, four-on-the-floor. |
| 03 | Babylon | Dm | 92 | 3:35 | Acoustic feature, dim the lights. |
| 04 | Moonlight | C | 76 | 4:20 | Soft pad, blue wash. |
| 05 | I Want My Peach | D | 118 | 3:25 | Crowd singalong — bring up mics. |
| 06 | R.A.M.I. | Em | 96 | 4:05 | Looper section, build slowly. |
| 07 | Not the Devil | F | 72 | 4:50 | Feature moment — silence before intro. |
| 08 | Our Last Night | G | 128 | 3:15 | Extended bridge, BVs up. |
| 09 | Last SummerEncore | Bb | 102 | 3:50 | Encore. Crowd on the “whoah”. |
| 10 | Roadside VagabondEncore | A | 132 | 3:50 | Encore. Big finish, lights to full. |